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aynen, bak amcam Guitar World ile yaptıı röportta ne diyor?
GW: How did you get those sounds?
Edge: I actually did a lot of experimentation, chaining up a lot of different simple pedals and finding a way where the pedals themselves would start to interact and create almost an unstable chain of effects. You know, where a single note could take off and set the whole system into sort of spontaneous and continuous sonic development. It was like a lot of compression and distortion mixed with a lot of regeneration on echo machines.
My approach was to experiment a lot with guitars and effects, and when I'd hit on something wild, just roll the tape improvise within the sound I'd created. A lot of it comes out of a spirit of experimentation in the studio and, sometimes, the rehearsal room. A couple of times I found a chain of effects that was particularly amazing, and I'd take note of what it was and what the settings were, and at different times I'd try to re-use the same chain.
The 747 sound is one of those particular chains where I use a Digitech Whammy pedal, an old Fuzzface and one of my old echo units. It was really and extraordinary signal chain--all the effects fed off each other. It's hard to explain it, but it's my thing. I love to just play around with sounds in the studio, more than experimenting with parts or styles or anything. That's what I do.
